Handmade Italian Edit Shop The Row

The Row Small Bags and Crossbody Styles: The Full Picture

The smallest pieces give the most direct reading of the design reasoning, although The Row is most widely known for large, quiet leather carriers. Nothing can be hidden on a crossbody or a clutch: proportion has to be precise, the closure has to close cleanly, and the leather alone has to bear the object. This is a row bags overview built around the smallest end of the range — crossbody styles, compact shoulder bags, pouches and clutches. Every figure is an observed 2026 market price noted in September of that year, not an official price list, because the brand issues none. Made in Italy is noted only where the brand’s own product page confirms it, never where it is merely assumed. The scope is bags alone; ready-to-wear and footwear sit outside it.

What Makes a Small Bag as One of These

Since The Row bags have no exterior logo plaque and no monogram print, a small one is identified on silhouette, proportion and construction alone. A discreet exterior stamp sits low on the side, where it blends into the leather, and a second stamp is set inside. Hardware is palladium-plated in a matte or brushed finish, registering as weight and precision rather than shine. Where other houses print logo jacquard, the linings here are luxury materials in their own right — nappa, lambskin, calfskin and cotton herringbone. A large tote lets those decisions slip past unnoticed, but on a clutch the size of a paperback they amount to the whole design. That is why the small pieces serve as the clearest introduction to what the label does with leather.

• Exterior plaques, branded hardware and monogram print are all absent
• Silhouette, proportion and construction do the identifying
• A discreet exterior stamp and a matching interior stamp
• Palladium-plated hardware, matte or brushed
• Linings in nappa, lambskin, calfskin or cotton herringbone

The Crossbody Section of the Line

The most practical corner of the collection is the crossbody group, and on observed 2026 prices it is also one of the most accessible. The group reaches from roughly $1,290 to $2,550, which sets its floor below almost every top-handle style the brand makes. The house convention of orientation prefixes drives the naming, with N/S and E/W separating upright and wide versions of one therowhandbags.net idea. The Park family falls partly inside this group, since it consists of the N/S Park Tote, the Park Tote, the Park Tote Three, the XL Park Tote and the N/S Park Crossbody. Materials run to calfskin in smooth, grained and saddle finishes, with palladium-plated fittings throughout. None of them display visible branding, and that is why they are bought as daily bags rather than occasion pieces.

Rene Crossbody and N/S Park Crossbody

The N/S Park Crossbody was observed at $1,290 and is the smallest way into the Park family without buying a tote. The flat, unstructured logic of the family holds here, shrunk to something worn against the body rather than carried in the hand. Owners of a The Row tote bag from that line will recognise the very same construction language scaled to a fraction of the volume. Observed at $1,350, the Rene Crossbody stands a step above. Both fall inside the entry band of roughly $590 to $1,500 that the collection maintains at its lowest end. For a first row bag, this pair is where the smallest outlay runs into the fullest expression of the house style.

Izzy, Annie, Large Slouchy Banana

Several orientations of the Izzy exist — the E/W Izzy observed at $2,300, the N/S Izzy at $2,490, plus a Small Izzy shoulder version at $2,100. Observed at $1,950, the N/S Annie Crossbody sits between the entry crossbodies and the Izzy group. The Large Slouchy Banana was observed at $2,550 and is confirmed Made in Italy on the brand’s own product page. The same page showed waitlist availability instead of open stock when the research was done — normal for the label. Together the three lines cover the top half of the crossbody range, with a noticeable rise in structure and leather weight. Cross-shopping usually sets them against small shoulder bags rather than against one another.

The Compact Shoulder Bags: Half Moon and the 90’s Bag

Two of the four signature models live at this small scale, which says how seriously the label treats the format. The Half Moon was observed at $1,390, a leather variant was seen at $1,690 at a stockist, and the model is confirmed Made in Italy. Its published dimensions are 8 x 13.5 x 2.5 inches, though sources conflict on the exact figures, so treat that as the official reading rather than a settled measurement. At an observed $1,090 the 90’s Bag is the least expensive of the four signatures, with the 90’s Shoulder version at $1,450. Curve and drape, not hardware, give both of them their identity. Between them they constitute the cheapest genuine entry into the top row bags by silhouette rather than by category.

Clutches, Pouches and Evening Pieces

The clutch group is where construction detail shows most, and the Bourse Clutch makes the clearest case. At an observed $1,590 and confirmed Made in Italy, the specification takes in a calfskin exterior, a nappa lining, a hinged frame closure, a hidden adjustable shoulder strap and dimensions of 10.2 x 6.5 x 2.3 inches. The Peggy Clutch was observed above it at $2,900 and the Dalia Baguette at $2,700, with the Squared Compact Clutch level with the Half Moon at $1,390. Evening formats push further up: the CC Minaudiere at $2,780 and the Long CC Minaudiere at $3,800. Terrasse To-Go, observed at $1,950, is a further Made in Italy piece that straddles clutch and small bag. Under everything else sit the pouches and small leather goods, with the Ray Pouch at $950 and $1,100, the Travel Pouch at $990, Sally at $1,000, the Cecily Mini Tote at $950, the Mini Barn Tote at $1,200 and the Double Travel Wallet at $590.

Observed 2026 Market Prices Side by Side

The table collects the figures above into one view for comparison. Every number is an observed 2026 market price rather than a published official price list, and the brand publishes none. Retailer prices can differ from the brand’s own site, and currency, season and stock all shift the figure. Two prices in a row mean either two versions or two sizes observed at the same time. Read it as a snapshot of where each piece sat relative to the others, and not as a quotation. Over time the ordering has held up better than the absolute numbers.

Bag	Type	Price observed in 2026 (USD)	Remark
Double Travel Wallet	Compact leather good	$590	Lowest entry point observed
Ray Pouch	Pouch	$950-$1,100	Two versions observed
90’s Bag	Small shoulder bag	$1,090	Signature model; the Shoulder is $1,450
N/S Park Crossbody	Crossbody bag	$1,290	Member of the Park family
Rene Crossbody	Crossbody format	$1,350	Slightly above the Park crossbody
Half Moon	Compact shoulder	$1,390	Made in Italy; leather variant $1,690
Bourse Clutch	Frame clutch	$1,590	Hinged frame; Made in Italy
N/S Annie Crossbody	Crossbody bag	$1,950	Mid-point of the crossbody band
N/S Izzy	Cross-body style	$2,490	E/W Izzy observed $2,300
Large Slouchy Banana	Cross-body style	$2,550	Made in Italy; waitlist at time of research
Peggy Clutch	Evening clutch	$2,900	Dearest in the small-bag range

What the Small Bags Do on the Secondary Market

Resale figures describe observed market behaviour rather than investment advice, so read them as context rather than a reason to buy. Brand-level value retention stood at 97% in the Rebag CLAIR 2025 report, a first entry into that report’s unicorn tier of 85% and above, behind only Telfar, Hermes and Goyard. Inside the same report the Half Moon shoulder recorded 106% retention. The same report put the N/S Park Tote at 146% and the Margaux Tote at 107%, for comparison across formats. Separately, the 90’s Bag has been flagged as the riser of the group, with eBay search volume reported up around 55% year over year as of April 2025. Not everything behaves this way: canvas, nylon, sisal and seasonal colours discount on the secondary market, and the strength sits in black and neutral calfskin in the signature silhouettes.

Looking After One

Because no brand-issued care protocol exists, the advice below is material-appropriate general guidance. Do not overfill a small bag: the shape does the identifying work, and a stretched gusset ruins it. Direct sunlight, heat and rain should all be avoided, and the piece stores best in its dust bag, lightly stuffed so it keeps shape. Calfskin and grained finishes respond well to buffing with a soft dry cloth, and neutral conditioner should be used sparingly. Nappa and lambskin mark easily, so stick to a dry cloth and do not over-condition. On suede, a suede brush and nothing else: no cream, no wet wipes, no soap, no water-based cleaner, while raffia, canvas and silk or satin versions spot-clean but are the least serviceable of all.